On President Obama’s First Day in Office…

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As of Jan. 20, 2009:

Jimmy Fallon was not the host of a late-night show on NBC.

Conan O’Brien hadn’t even hosted The Tonight Show yet.

Michael Jackson was still alive.

There was no such thing as Snapchat.

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The M&M Report: The Pop Culture President

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On the eve of President-elect Donald Trump’s inauguration, Devin and I look back on eight years of President Obama’s radical, unprecedented interactions with American popular culture. Topics include late-night talk shows, podcasts, stand-up comedy, the White House Correspondents’ Dinner, the NBA draft, Black-ishKey and PeeleHamilton and more.

Listen here. And please subscribe!

PROGRAMMING NOTE: A couple months ago, we made a behind-the-scenes change. If you’re already subscribed to The M&M Report on iTunes or the podcast provider of your choice, and you haven’t done so already, you need to RE-SUBSCRIBE in order to receive new episodes in your feed. We know this extra step will be annoying, but we’re excited about what it means for the future of the podcast. Tell your friends!

Things I Loved This Year: Small But Not Forgotten

Each day this month (assuming I don’t get busy or bored!), I’ll reflect on a tiny sliver of pop culture that I enjoyed or appreciated this year — scenes, shots, gestures, verses, sights, sounds, moments. Today: two movies that ought to have been huge hits, but weren’t.

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Some movies seem destined to falter at the box office — they’re bad, they’re lazy, they’re weird, they lack star power, they’re in another language. It’s often a shame to watch those movies’ inevitably meager box-office returns, but you saw the disappointment coming, so it’s easier to manage and rationalize.

But other movies seem tailor-made for runaway blockbuster success and yet struggle to find it. Often, you can blame the marketing, or the distribution, or an accident of fate. The best you can hope for is a fruitful run on home video and streaming.

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Things I Loved This Year: Shedding a Tear for Kacey Musgraves

Each day this month (assuming I don’t get busy or bored!), I’ll reflect on a tiny sliver of pop culture that I enjoyed or appreciated this year — scenes, shots, gestures, verses, sights, sounds, moments. Today: feeling some feelings with one of country’s brightest young stars.

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If Christmas makes you cry, “Christmas Makes Me Cry” will make you cry. If Christmas doesn’t make you cry, “Christmas Makes Me Cry” will make you cry, because Christmas makes Kacey Musgraves cry, and when Kacey Musgraves cries, you feel it.

Kacey Musgraves wrote this song with Shane McAnally and Brandy Clark for A Very Kacey Christmas, which came out on Halloween this year. Christmas sets are a dime a dozen, but the whole set is lovely, and this song takes the cake.

That trio of songwriters is also responsible for this and this. They are good.

The M&M Report: 2016 in Review

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Devin and I reflected on a turbulent year for world affairs and a fruitful year for pop culture in the final M&M Report of 2016. Thanks to all who have listened this year. See you in 2017!

Timecodes

Frank Ocean’s Blond (0:00-9:40)

the Longform podcast (9:40-18:15)

Atlanta (18:15-33:40)

O.J.: Made in America (33:40-42:20)

The Lobster (42:20-47:30)

Hell or High Water (47:30-54:50)

Moonlight (54:50-End)

PROGRAMMING NOTE: We’ve made a behind-the-scenes change. If you haven’t done so already, you need to RE-SUBSCRIBE to the podcast on iTunes or the podcast provider of your choice in order to receive new episodes in your feed. We know this extra step is time-consuming, but we’re excited about what it means for the future of the podcast. Tell your friends! (And if you’ve already done it once, no need to do it again.)

The Billboard Year-End Hot 100, Ranked in 100% Subjective Order

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I took valuable time out of my life to rank every song on the 2016 year-end Billboard Hot 100 in order of my preference. There is nothing definitive or objective on this list, and I often felt no need to explain my choices. Some things speak for themselves.

I hadn’t heard “Never Be Like You” by Flume feat. Kai, “Antidote” by Travis Scott, “Wicked” by Future and “Middle” by DJ Snake feat. Bipolar Sunshine enough to consider them for this list. I don’t feel too bad about it.

I disqualified the following songs because I associated them more with 2015: “Sorry” by Justin Bieber; “Hotline Bling” by Drake; “The Hills” by The Weeknd; “Jumpman” by Drake & Future; “679” by Fetty Wap feat. Remy Boyz; “Here” by Alessia Cara; “What Do You Mean?” by Justin Bieber; “Same Old Love” by Selena Gomez; “Can’t Feel My Face” by The Weeknd; “Wildest Dreams” by Taylor Swift; “Lean On” by Major Lazer & DJ Snake feat. MO; “Watch Me (Whip/Nae Nae)” by Silento; “See You Again” by Wiz Khalifa and “Perfect” by One Direction.

Without further ado:

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Things I Loved This Year: Bruno Mars Gets In and Gets Out

Each day this month (assuming I don’t get busy or bored!), I’ll reflect on a tiny sliver of pop culture that I enjoyed or appreciated this year — scenes, shots, gestures, verses, sights, sounds, moments. Today: complimenting Bruno Mars in a way that sounds like an insult.

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Something unexpected happens at the 32-minute mark on Bruno Mars’ album 24K Magic. I sat back in my chair.

The album ends.

It’s over. That’s it! Nine songs, each less than five minutes long. No skits, no tangents, no filler. Four years between albums, and here’s what Bruno Mars has to show for it: nine songs, all stellar.

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