The final episode of Serial season one arrived amid a flurry of online excitement. The thinkpieces flowed like lava from a volcano — an apt metaphor given the temperature of some of the takes. Speculation about the perceived guilt or innocence of the show’s principal subject Adnan Sayed ran rampant, as did spirited debates about whether the series owed its captive audience a definitive conclusion. The show’s prominence grew so rapidly over its first three months that it warranted a Funny or Die parody starring Michaela Watkins and an SNL parody starring Cecily Strong.
It was a strange moment of mass adulation for what was, at its root, an act of thorough, rigorous journalism, blown out to epic proportions with the help of Sarah Koenig’s compelling delivery, eerily catchy theme music and the production’s team savvy week-by-week rollout. Suddenly, media outlets and pop culture consumers tackled a podcast about the localized failures of the American criminal justice system with the same fervor that they would the latest superhero movie or hourlong TV drama. When the dust settled, attentions quickly turned to speculation about the show’s seemingly endless possibilities for next steps.
Then a year went by. Radio silence.