There’s nothing especially wrong with Thor: The Dark World, the latest in a seemingly endless string of Marvel projects leading up to the megalith The Avengers 2. The special effects are serviceable, the story moves along at an enjoyable clip and the performances are almost uniformly solid.
But there’s nothing especially right about it either. Needless convolutions cloud an already questionable narrative. Natalie Portman’s love interest Jane Foster is as bland and underwritten as any character of her kind in recent memory. Director Alan Taylor offers little visual distinction from Kenneth Branagh’s appealing but forgettable original. A week from now, give or take a Tom Hiddleston or a Kat Dennings, nearly everything that happens in Thor: The Dark World will be a distant memory.