Each day this month (assuming I don’t get busy or bored!), I’ll reflect on a tiny sliver of pop culture that I enjoyed or appreciated this year — scenes, shots, gestures, verses, sights, sounds, moments. Today: on three of the best “prestige” dramas, women rule the roost.
Better Call Saul and Mr. Robot are as driven by their respective leading men as shows can be, a fact the titles make abundantly clear. The Americans has a dual focus on its central couple. But on new seasons of each this year, the MVPs were the women.
Nothing against Bob Odenkirk or his character Saul Goodman, a slippery con man who’s constantly caught between good intentions and material desires. Nothing against Rami Malek, who brings aching vulnerability and disaffected sensitivity to the role of Elliott Alderson, a hacker struggling with mental illness and revolutionary impulses. And nothing against Matthew Rhys, who deserves far more than the one Emmy nomination he secured this year for the shape-shifting masterstrokes on display as Philip Jennings, the KGB operative who always has going straight deep in the back of his mind.