Devin walks me through a therapy session as we unpack the current state of Saturday Night Live.
Listen here. And please subscribe!
- Political satire (0:00 – 19:30)
- Alec Baldwin (19:30 – 27:00)
- Weekend Update (27:00 – 38:00)
- Pete Davidson (38:00 – 46:00)
- Mark’s theory on hosts (46:00 – 50:00)
- Why we keep watching (50:00 – End)
Some sketches we discussed:
Each day this month (assuming I don’t get busy or bored!), I’ll reflect on a tiny sliver of pop culture that I enjoyed or appreciated this year — scenes, shots, gestures, verses, sights, sounds, moments. Today: a tiny SNL moment only eagle-eyed viewers would remember.
No one would agree that the moment I’ve chosen to highlight from this year’s unusually high-profile run of Saturday Night Live episodes is the most iconic, or the most influential. It’s certainly not the funniest, the sharpest or the wittiest. It’s not even a sketch, or a pre-ordained bit. It’s a slip-up.
It wouldn’t be fair to say that Larry David butchered Ariana Grande’s name in that clip. That would imply that he touched it at all. No, Larry David gingerly gestured his knife towards that slab of meat, took a brief and halfhearted stab, then tossed his knife aside and walked away with a shrug.
Assigning a value judgment like “good” or “great” or “best ever” or “worst in five years” to a season of Saturday Night Live is inevitably a fool’s errand. Each season is best understood through the lens of key sketches, breakout moments and overall trends. Below, I’ve listed a few of each from this post-anniversary season of America’s most astonishingly resilient TV show.
And while you’re in an SNL mood, check out my Indiewire investigation into the show’s record of diversity in its hosting choices.
Last night, I watched all three hours of the 2014 American Music Awards. It wasn’t always a fun experience. Head over to The Eagle for my grades of each performance.
I spent much of the time from 8-10pm last night asking myself why I was watching the 2014 Billboard Music Awards. Most of the performances were uninspired and the award winners were foregone conclusions. It’s not as if this were the only awards show featuring performances from the likes of Pitbull, Imagine Dragons, Ariana Grande, Jennifer Lopez and Jason Derulo. And though I like Ludacris, the prospect of him hosting was not enough on its own to draw me to the show.
I realized that I’m drawn to awards shows like this because I’m fascinated by the way that organic moments of spontaneity can arise from a rigorously pre-programmed spectacle. I’m looking for two or three performances that rise above the mediocrity of the majority. I’m looking for something to reaffirm my belief that popular music and even awards shows can be thought-provoking or aesthetically satisfying. And indeed, while the 2014 Billboard Music Awards were largely forgettable and eminently skippable, I found a few topics worth discussing before I switched over to Mad Men.
Listen to Episode 14 here.
Welcome to the last 2013 episode of The M&M Report. This week, Devin Mitchell and I talked about some of our favorite albums and songs of the year. Keep in mind that Devin and I are far from comprehensive music consumers, so our musical tastes are limited to the genres we’ve enjoyed in the past. We’re open to tons of suggestions on new music we should try out, so bear with us and feel free to comment.
After we discussed six albums, we had a freewheeling conversation about the year in music, touching on everything from “Blurred Lines” and “Same Love” to Daft Punk and Miley Cyrus.
Here’s a Spotify playlist featuring some of the music we discussed during the show. Feel free to follow along.
Click through for the time breakdown and a bonus video from Local Natives, and we’ll see you in 2014!
It’s easy to look back at the year in music and only see images of Miley Cyrus twerking, Robin Thicke skeeving and Pharrell dominating. With this list, I’m shining a spotlight on the best that pop music had to offer this year, whether it involved blurred lines or diamonds in the rough. I combed over every Billboard Hot 100 chart from this year and picked my favorite songs that cracked the Top 40.
You’ll notice there are 12 songs on this list. Why not? Ten is just as arbitrary. These are 12 songs I really like. I hope you’ll find something worth celebrating here. No use cutting corners. (To make my life easier, I did my best to exclude songs that made bigger splashes in 2012 than they did in 2013, including Taylor Swift’s “I Knew You Were Trouble” and Kendrick Lamar’s “Swimming Pools (Drank).”)
You’ll also notice that these songs are in alphabetical order by the artist’s first name. Why? Because it’s too difficult for me to decide which of these songs is better than the others. They’re good for different reasons, and I don’t see any value in fussing with which reasons matter more.
(The playlist isn’t in alphabetical order – in fact, it’s not in any order at all, except my vague attempt to create a pleasurable listening experience.)
Without further ado, my favorite Top 40 songs of 2013.
Even though I live-blogged the entire three-hour behemoth last night, I have lots to say about the 2013 American Music Awards. The live-blog format is necessarily limiting, and I’ve revised or expanded many of my opinions since the show aired. With that in mind, here are three big takeaways from this awards show (one of the silliest around, don’t forget.)
Sleazier than the Grammys, stuffier than the VMAs, less legitimate than either one, The American Music Awards are the unfortunate middle child of music awards shows. The only time anyone cares how many American Music Awards an artist has won is during the American Music Awards. This is the show that gave us David Hasselhoff dancing to LMFAO’s “Sexy and I Know It” in 2011 and crowned Justin Bieber the 2012 Artist of the Year. In other words, don’t expect high art.
And yet – the American Music Awards are a fun, if frustrating, thermometer for the current temperature of popular music. Last year’s show brought us Carly Rae Jepsen and PSY, but also Taylor Swift and Stevie Wonder. You have to take the good with the bad.
Whether the awards mean anything or not (they don’t), the show should provide some interesting moments. Will Justin Timberlake do something unexpected to cap off his busy year, or will he rest on his laurels? Will Miley Cyrus descend further into mayhem or restrain herself? Will Luke Bryan and Florida Georgia Line demonstrate why they’re country’s two hottest superstars right now, or will they continue to make us wish for Kacey Musgraves and Miranda Lambert instead?
Follow along starting at 8pm Eastern for my reviews of each performance on the American Music Awards, airing on ABC.