For the Emmy nominations to “get it right” in 2017 — when there has never been more television shows or places to find them — they must reflect the landscape’s diverse options by rewarding shows that expand the boundaries of the medium or innovate within it.
With so much to choose from, it’s never been harder for the Emmy nominations to get it completely right. But it’s still not that hard for them to get it wrong. Case in point: Yesterday!
Devin and I reflected on a turbulent year for world affairs and a fruitful year for pop culture in the final M&M Report of 2016. Thanks to all who have listened this year. See you in 2017!
Frank Ocean’s Blond (0:00-9:40)
the Longform podcast (9:40-18:15)
O.J.: Made in America (33:40-42:20)
The Lobster (42:20-47:30)
Hell or High Water (47:30-54:50)
PROGRAMMING NOTE: We’ve made a behind-the-scenes change. If you haven’t done so already, you need to RE-SUBSCRIBE to the podcast on iTunes or the podcast provider of your choice in order to receive new episodes in your feed. We know this extra step is time-consuming, but we’re excited about what it means for the future of the podcast. Tell your friends! (And if you’ve already done it once, no need to do it again.)
PROGRAMMING NOTE: We’ve made a behind-the-scenes change. If you’re already subscribed to The M&M Report on iTunes or the podcast provider of your choice, you need to RE-SUBSCRIBE in order to receive new episodes in your feed. We know this extra step will be annoying, but we’re excited about what it means for the future of the podcast. Tell your friends!
On this episode, Devin and I pondered the perils and pleasures of Peak TV. We start by defining it with the help of comments from FX president John Landgraf, and then we examine how the phenomenon has affected our viewing habits, the creative forces that shape those habits and the business forces that have allowed Peak TV to flourish. This New York Magazine feature on the subject is worth reading, either as a precursor or a follow-up.
Listen here. And please subscribe!