In a throwback to the early days of our podcast, Devin and I caught up on some TV we’ve been watching recently.
The Good Place: 0:00 – 3:00
BoJack Horseman: 3:00 – 8:30
Insecure: 8:30 – 13:30
Forever: 13:30 – 19:45
Succession: 19:45 – 28:15
American Vandal: 28:15 – 33:10
Big Brother: 33-10 – End
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Each day this month (assuming I don’t get busy or bored!), I’ll reflect on a tiny sliver of pop culture that I enjoyed or appreciated this year — scenes, shots, gestures, verses, sights, sounds, moments. Today: the BoJack Horseman episode that stuck with me.
Most year-end lists that feature the remarkable Netflix series BoJack Horseman have focused on the third season’s dazzling fourth episode “Fish Out of Water,” which has virtually no dialogue as the title character takes an emotional roller coaster under the sea. A few mentions have also been afforded to “That’s Too Much, Man!” which depicts a bender gone horribly wrong between two self-destructive friends.
Both those episodes deserve the accolades they’ve been given. But equally astounding was “Best Thing That Ever Happened,” which comes five episodes after the former and two before the latter. (Incoming: sentence I never thought I’d write.) This episode is to BoJack Horseman what “The Suitcase” was to Mad Men, and the two hit with a familiar, devastating force.
Diversity of many varieties was on the brain for many spheres of television this year. Network executives, showrunners, critics and audiences alike engaged in thoughtful discourse about what it means to make diverse television in 2015. There are more places than ever to watch TV, and more places than ever to distribute it. It makes logical sense that TV offerings this year would touch on a wider range of issues, feature a wider range of character types and demographics and explore a wider range of stories and universes than ever before.
But with great power comes great responsibility. My favorite shows in 2015 were the ones that used the expanding boundaries of what’s possible on television to their fullest advantage, crafting rich and surprising worlds, telling stories that dovetail with the themes, ideas and controversies guiding our daily lives. In relatively arbitrary order of preference (who’s to say whether a dark comedy about an animated horse is superior to one of the most beloved drama series of all time?), here are my ten favorite shows of 2015.
Bojack (left, voiced by Will Arnett) and Diane (right, voiced by Alison Brie) in Netflix’s “BoJack Horseman.” Photo courtesy of Netflix.
BoJack Horseman is about BoJack Horseman, the washed-up star of a popular 90s sitcom who lives in Los Angeles, spending his days grappling with the reality of his dwindling fame and chronically minimal self-esteem. He has a cavernous home, a loyal roommate, an enterprising agent, no friends, inconsistent job prospects and a streak of self-destructive behavior that keeps his closest acquaintances and confidants at a remove. He’s sad, lonely, bitter, sarcastic, self-serving, unfaithful and deeply, painfully, perpetually depressed.
If he were the subject of a live-action comedy or drama, you might find him deplorable, or at least unwatchable. But the key is, he’s not just a man. He’s also a horse. And the show around him is a horse of a different color.