“Everybody Wants Some!!”: Get In On This

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The title of writer-director Richard Linklater’s movie refers to a 1980 Van Halen song, one of the band’s most popular. But “some” refers to many things: sex, booze, marijuana, social capital, self-worth. All of the movie’s characters have desire on the brain: they’re college students, hungry for the freedom they’ve dreamed about since they realized, however erroneously, that it might be in reach.

Linklater’s last movie Boyhood was a sprawling, unprecedentedly ambitious fictional document of a young boy’s coming-of-age, conceived and shot over more than a decade to authenticate the depicted passage of years. At first glance, Everybody Wants Some!! looks like a trifle by comparison. It takes place over the course of three days, its cast is largely comprised of unknown actors and it lacks the overt whiff of attempted universality that gave Boyhood its grandeur.

But Everybody Wants Some!! makes sense as a next step in the narrative of Linklater as auteur. He finished telling a story about what it’s like to be a boy; now, he unveils a story about what it was like for him to become a man. He’s called this movie a “spiritual sequel” to Dazed and Confused, and it’s obvious within the first five minutes what he means. What that movie did for the end of high school, this one does for the beginning of college.

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2014 in Review: Unsung Movie Performances

All too often, film criticism falls victim to what I call the “Oscar Eyes” phenomenon, prioritizing showy performances and actors who make noticeable physical commitments to their characters over work that’s subtle but no less critical to a movie’s effectiveness. Below, here’s my attempt to look beyond the performances likely to be up for awards. These performances are on the margins of Oscar consideration for several reasons: either they’re in movies that rarely attract awards attention, or they’ve been overshadowed by performances with more obvious “award-bait” moments. They’re worthy of recognition nonetheless.

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