Mark and Devin contemplate two works of auteur cinema from British directors: Edgar Wright’s Baby Driver (0:00-17:55) and Christopher Nolan’s Dunkirk (17:55-End). They also apologize for not podcasting about The Big Sick, which they both really liked. Sorry, The Big Sick.
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At least since he became one of Hollywood’s Most Important Directors, Christopher Nolan has directed movies about ideas, not people. In Inception, he asked questions about the nature of dreams and the politics of intertwined narratives. In The Dark Knight, he challenged the nation’s attitudes about terrorism and urban corruption. In The Dark Knight Rises, he seized upon the prevailing notions of the inequality gap in the American rhetoric. And in Interstellar, he sets his sights outward, heading into the great beyond for the first time. He comes back with three hours of gorgeous imagery and solid performances tied together by a script that strives for emotional catharsis and falls far short.