Midway through the first episode of The Late Show with Stephen Colbert, the host did a bit in which he both satirized the media’s obsessive coverage of Republican presidential candidate Donald Trump and admitted that he’s powerless to avoid doing his own obsessive coverage. Colbert promised his audience he would only eat one Oreo, symbolizing one Trump joke. But the Oreos were so enticing, and the pleasure from ingesting them so rewarding, that he couldn’t help but indulge in one, then another, then half the box at once, and then a second box.
This bit was superficially about Trump, but it’s also a symbol of what Colbert’s trying to do, and what he’ll have to do, with this new show. For nine years on Comedy Central, Colbert cultivated an unprecedented strain of politically-infused comedy so draining that he’s told multiple interviewers that he had planned to leave the show even if CBS hadn’t come calling. But replacing David Letterman, in timeslot if not in substance, is an opportunity for Colbert to flex different muscles and achieve a childhood dream.
This week on the M&M Report, Devin Mitchell and I discussed the end of Jon Stewart’s remarkable, influential 16-year run on Comedy Central’s The Daily Show with returning guest Jonathan Connelly. We talked about the impact Stewart’s had on his successors and proteges, the influence and limitations of his rhetoric on the “real world” and what we can expect from a post-Jon Stewart future.
You can watch Jon Stewart’s final episode in its entirety on Comedy Central’s web site.
Last time Jon was on the podcast, we reviewed Madame Secretary. Listen closely to the first minute of this week’s episode for an update on our relationship with that CBS drama.
Peruse the M&M Report category page for previous episodes of the podcast. Thanks for listening!
The last two minutes of the July 26 episode of Last Week Tonight with John Oliver might have been surprising to people who have heard about the show but never watched it. As the 17-minute piece on mandatory minimum sentencing laws drew to a close, Oliver delivered an impassioned plea to viewers to consider the issue and its implications. Even as a devoted fan of the show, I kept waiting for Oliver to punctuate the earnest moment with levity. But he never did, and his show is all the better for it.
It’s impossible to write about Last Week Tonight on the Internet without drawing accusations of clickbait, as his clips are designed, as if genetically, to feed the media beast in a way that even the best of Jon Stewart never matched. But if you dig deeper than the superficial weekly recap below an embedded YouTube clip, if you watch that YouTube clip and pay attention to the care and detail that goes into crafting a Last Week Tonight segment, you realize that people are clicking not because media outlets are telling them to, but because the show rewards their clicks with substance, style and sincerity.
The world gives us lots to be cynical about every day. But today’s Thanksgiving, so I want to take a brief pause from frustration, indifference and indignation to marvel at the treasures on our massive pop culture landscape. Here’s a look at some of the pop culture (and pop culture criticism) that I’m thankful for right now: