On this episode of The M&M Report, Devin Mitchell and I discuss the notorious box-office bomb Steve Jobs, a big-budget prestige drama from a major studio that’s performing almost exactly the same as the 2013 indie drama Jobs (starring Ashton Freaking Kutcher).
Peruse the M&M Report category page for previous episodes of the podcast. Thanks for listening!
(Photo courtesy of manybits)
I’m missing out on a moment today.
When House of Card debuted to considerable fanfare last February, I did not have access to a Netflix account or the money necessary to acquire such access. I observed from the sidelines as the binge-watchers tore through each episode, finishing the series within one weekend. I observed as the show faded from the pop culture conversation as people moved on to other things (binge-watching Arrested Development). I observed as binge-watch skeptics (I would count myself among them, to an extent) finished the series at their own leisurely pace. I observed as the show became the first streaming-only, television-scale scripted series to merit serious consideration at the Emmys and the Golden Globes.
And then I was granted access to a Netflix account. But I didn’t start with House of Cards. I started with Orange is the New Black, by far the most warmly reviewed series of Netflix’s modern foray into “television.” Then I worked my way through the dense fourth season of Arrested Development, marveling at the massively complex puzzle structure while sometimes wondering why it had been seventeen minutes since I’d laughed.
And finally, I got to House of Cards.
I watched four episodes. I might have watched more, but the end of winter break and the beginning of my spring semester loomed. Tough decisions had to be made. And I decided I’d seen enough of House of Cards to know that I wasn’t clamoring to finish it.