The Billboard Hot 100 in 2017 was filled with mainstream and underground hip-hop, emergent Latin pop that straddles language, and sadness. I’ve been listening.
Just like last year, I took valuable time out of my life to rank every song on the year-end Billboard Hot 100 in order of my preference. There is nothing definitive or objective on this list, and I often felt no need to explain my choices. Some things speak for themselves.
I disqualified the following songs because I hadn’t heard them enough to make a “fair” “judgment”: Ayo & Teo’s “Rolex”; YFN Lucci’s “Everyday We Lit”; Blackbear’s “Do Re Mi”; and XXXTentacion’s “Look At Me!”
I disqualified the following songs because I associated them more with 2016, or because they appeared on my ranking last year: The Chainsmokers’ “Closer” feat. Halsey; The Weeknd’s “Starboy” and “I Feel It Coming,” both feat. Daft Punk; Ariana Grande’s “Side to Side” feat. Nicki Minaj; DJ Snake feat. Justin Bieber’s “Let Me Love You”; D.R.A.M.’s “Broccoli” feat. Lil Yachty; Hailee Steinfeld & Zedd’s “Starving” feat. Grey; Shawn Mendes’s “Treat You Better”; Justin Timberlake’s “Can’t Stop the Feeling!”; Twenty One Pilots’ “Heathens”; and Rae Sremmurd’s “Black Beatles” feat. Gucci Mane.
Without further ado…
Remember when I used to post daily on this blog? It’s been a while. I’ve been consumed by schoolwork, extracurricular activities, and all sorts of other pursuits that you likely don’t care about. As a result, I’ve failed to do more than re-post the latest episodes of The M&M Report, and sometimes even those went up late.
But summer has arrived, and with it, some pretense of this thing called “free time.” I’ll spend some small part of that free time doing apparently important tasks like “eating,” “sleeping,” “spending time with other human beings” and, if I’m feeling particularly daring, “venturing into the outside world.”
But those tasks are far less interesting than the pop culture consumption I’ve got planned for the months ahead.
I’ve already complained about the clunky telecast for the 2014 Grammy nominations in my piece for The Eagle. Nonetheless, I have a few more thoughts (three, in fact) on the nominations in general.
First, to quote from my piece:
“Despite some oversights, the nominations reflected the wide, if scattered, range of excellent pop music in 2013. Rising country star Kacey Musgraves nabbed three well-deserved nominations including one for Best New Artist. The Grammys embraced the anti-establishment alternative hip-hop of Lorde and the irrepressible smooth of Daft Punk. Taylor Swift’s excellent album Red ended up in the Album of the Year category, suggesting that the Grammys have longer memories than they are given credit for.”
Read on for three more thoughts.