On this episode of The M&M Report, Devin Mitchell and I discuss the Denis Villeneuve-directed thriller Sicario (also known as “Sicari-OOOOOOOOOOOOOOOOOO!”, now playing in limited release.
Too long, didn’t listen: this movie’s really good. Go see it. (And listen!)
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Fairy tales come to life, and some die, in Into the Woods, Disney’s long-awaited screen adaptation of Stephen Sondheim’s beloved Broadway musical. Director Rob Marshall struggles with the trickier second part of that equation, but for the first hour or so, he conjures an engaging blend of Brothers Grimm fairy tales, soaring musical numbers and lively performances.
Tom Cruise is a movie star for a reason. With his square jaw, dazzling smile and effortless physicality, he’s the man we feel comfortable entrusting with sci-fi action because he has a near-perfect combination of humanity and inhumanity. But he can be boring. Last year’s Oblivion tried to compensate for Cruise’s inherent and often beneficial blankness by literally multiplying the number of Cruises onscreen. Edge of Tomorrow takes a different and far more successful approach: Cruise’s blankness becomes the joke, and the narrative “Edge of Tomorrow”: See It Todayengine, and the emotional hook. Hidden beneath his muscular exterior is the man we all fear we’d be.