For the Emmy nominations to “get it right” in 2017 — when there has never been more television shows or places to find them — they must reflect the landscape’s diverse options by rewarding shows that expand the boundaries of the medium or innovate within it.
With so much to choose from, it’s never been harder for the Emmy nominations to get it completely right. But it’s still not that hard for them to get it wrong. Case in point: Yesterday!
Devin and I took to our microphones right after the 2016 Emmy Awards ended for a discussion of a surprisingly enjoyable telecast. We also reveal the winner of our 2016 Emmy pool, a race more hotly contested than any on the Emmys themselves.
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Devin and I return to a topic to which we’ve only alluded in podcasts past: FX’s The Americans, starring Matthew Rhys and Keri Russell as KGB agents living among Americans in the United States at the height of the Cold War. Spoiler-y thoughts on the most recent season abound.
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Also, be sure to read my Slant Magazine interview with the show’s executive producers Joe Weisberg and Joel Fields.
The phrase “mic drop” was invented for the last three minutes of HBO’s six-episode documentary series The Jinx: The Life and Deaths of Robert Durst. For five episodes and most of the sixth, the New York real-estate magnate Durst spent the majority of his screentime reasserting his innocence in the three separate murder allegations that have been dogging him for more than a decade. Then the screen goes black, a title card explains that Bob is headed to the bathroom, and all hell breaks loose.
Viewers watching The Jinx as it unspooled over six weeks last February and March got to see that moment without knowing what would happen. I didn’t have that luxury, as I didn’t start the series when it originally aired and then couldn’t avoid the barrage of spoilers and interview coverage in the days following the finale. Had I not known what was coming, I might have had nightmares about the final sequence. Even with the foreknowledge, the moment took my breath away.
This post took ten minutes to write. I went down this list of Emmy nominations, thought for a moment and then picked the nominee I could most easily imagine winning the award on tonight’s Andy Samberg-hosted telecast, which airs at 8pm on Fox. I didn’t double back and reconsider my choices, and I don’t apologize for any outlandish or unlikely picks. If I had to do it all over again, I might make different predictions. But I don’t, so I won’t.
See you back here tomorrow when we find out how well I did.
It’s impossible to have a unified “take” (hot or otherwise) on the Emmy nominations. Anyone who says differently is lying or deluded. This year’s nominations are not only good or only bad, only surprising or only disappointing. Some of the biggest “disappointments” can be read as disappointments only if you expected the Academy would radically alter its modus operandi this year. Some of the biggest pleasant surprises are probably more accidental than intentional. As with every year, the Emmy nominations are a list to be plundered, commented upon, regarded from a safe distance and with a reasonable proportion of salt grains.
With that perspective in mind, here’s a list of my thoughts on the Emmy nominations, in no particular order and with varying degrees of sophistication and seriousness. (And here’s my list from yesterday of wish-list nominees. A few made it to the actual list!)
Here’s an admittedly incomplete, scattered list of shows and performances I’d love to hear on Emmy nomination morning, tomorrow at 11:30am Eastern. If it’s not on here, I either haven’t seen it, don’t like it, or like it but think it’s so likely to get a nomination that writing about it now is just superfluous.