The M&M Report Predicts the 2018 Oscars

Shape.jpgHaving finally recovered from last year’s Best Picture snafu, Devin and I are back with our best guesses for this year’s Oscar winners. Here are our respective ballots, compiled separately.

(Devin and I discussed several of this year’s nominated films on our podcast. Do us a favor and check out our thoughts on¬†Get Out;¬†Baby Driver¬†and¬†Dunkirk;¬†Three Billboards Outside Ebbing, Missouri;¬†Lady Bird;¬†Molly’s Game and¬†Call Me By Your Name; and¬†Star Wars: The Last Jedi¬†and¬†The Post. Subscribe to The M&M Report on¬†iTunes¬†and¬†Spotify, and¬†check your feeds Monday morning for our fifth annual post-Oscars recap, to be recorded just minutes after the telecast ends.)

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The M&M Report: “Three Billboards Outside Ebbing, Missouri”

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Kevin Werner rejoins the podcast as a special Missouri correspondent to debate Three  Billboards Outside Ebbing, Missouri with me and Devin. This was fun.

Listen here. And subscribe.

Emmy Predictions 2015: Don’t Hold Your Breath

This post took ten¬†minutes to write. I went down this list of Emmy nominations, thought for a moment and then picked the nominee I could most easily imagine winning the award on tonight’s Andy Samberg-hosted telecast, which airs at 8pm on Fox. I didn’t double back and reconsider my choices, and I don’t apologize for any outlandish or unlikely picks. If I had to do it all over again, I might make different predictions. But I don’t, so I won’t.

See you back here tomorrow when we find out how well I did.

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“Fargo”: Wonder, Chilled

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After nine increasingly brilliant episodes, the first season of Fargo concludes tonight at 10pm on FX. When this show was first announced, it was quickly derided as an ill-conceived attempt to capitalize on a cult favorite film that could not possibly be improved or enriched by a ten-hour adaptation. The first episode assuaged those concerns to an extent, with instantly arresting performances and a visual style that recalls the Coen Brothers without imitating them, but the show truly distinguished itself approximately halfway through its run, when it diverged almost entirely from the thematic arc of its source material while tying itself more overtly than ever to the film’s chronology. With just the finale to go, Fargo stands as one of my favorite television experiences of 2014. Here are five things I’ll miss after tonight’s much-hyped finale:

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