The Billboard Hot 100 in 2017 was filled with mainstream and underground hip-hop, emergent Latin pop that straddles language, and sadness. I’ve been listening.
Just like last year, I took valuable time out of my life to rank every song on the year-end Billboard Hot 100 in order of my preference. There is nothing definitive or objective on this list, and I often felt no need to explain my choices. Some things speak for themselves.
I disqualified the following songs because I hadn’t heard them enough to make a “fair” “judgment”: Ayo & Teo’s “Rolex”; YFN Lucci’s “Everyday We Lit”; Blackbear’s “Do Re Mi”; and XXXTentacion’s “Look At Me!”
I disqualified the following songs because I associated them more with 2016, or because they appeared on my ranking last year: The Chainsmokers’ “Closer” feat. Halsey; The Weeknd’s “Starboy” and “I Feel It Coming,” both feat. Daft Punk; Ariana Grande’s “Side to Side” feat. Nicki Minaj; DJ Snake feat. Justin Bieber’s “Let Me Love You”; D.R.A.M.’s “Broccoli” feat. Lil Yachty; Hailee Steinfeld & Zedd’s “Starving” feat. Grey; Shawn Mendes’s “Treat You Better”; Justin Timberlake’s “Can’t Stop the Feeling!”; Twenty One Pilots’ “Heathens”; and Rae Sremmurd’s “Black Beatles” feat. Gucci Mane.
Without further ado…
One of the essential functions of popular culture is to provide relief from the stresses of everyday life. Another is to offer thrills, joy and insights from unfamiliar perspectives. Here’s a sampling of moments from this year that accomplished those goals for me. Happy Thanksgiving.
Devin and I reflected on a turbulent year for world affairs and a fruitful year for pop culture in the final M&M Report of 2016. Thanks to all who have listened this year. See you in 2017!
Frank Ocean’s Blond (0:00-9:40)
the Longform podcast (9:40-18:15)
O.J.: Made in America (33:40-42:20)
The Lobster (42:20-47:30)
Hell or High Water (47:30-54:50)
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Each day this month (assuming I don’t get busy or bored!), I’ll reflect on a tiny sliver of pop culture that I enjoyed or appreciated this year — scenes, shots, gestures, verses, sights, sounds, moments. Today: complimenting Bruno Mars in a way that sounds like an insult.
Something unexpected happens at the 32-minute mark on Bruno Mars’ album 24K Magic. I sat back in my chair.
The album ends.
It’s over. That’s it! Nine songs, each less than five minutes long. No skits, no tangents, no filler. Four years between albums, and here’s what Bruno Mars has to show for it: nine songs, all stellar.