In a throwback to the early days of our podcast, Devin and I caught up on some TV we’ve been watching recently.
The Good Place: 0:00 – 3:00
BoJack Horseman: 3:00 – 8:30
Insecure: 8:30 – 13:30
Forever: 13:30 – 19:45
Succession: 19:45 – 28:15
American Vandal: 28:15 – 33:10
Big Brother: 33-10 – End
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A year ago at this time, I wrote a blog post addressing Saturday Night Live‘s frustrating lack of commitment to diversity, exemplified by a sketch in which Kerry Washington played several prominent black female celebrities capped off by a title card backhandedly apologizing for the show’s dearth of nonwhite performers.
During the season finale and throughout this anniversary season, the story was different. Perfect? Of course not. But diverse voices in front of and behind the camera were one of the factors that made this season of SNL a significant improvement on the last few.
Another season of Saturday Night Live concluded on May 17 with a returning sketch in which Vanessa Bayer and Cecily Strong play retired porn stars advertising a luxury item for a quick buck. The sketch played, in some ways, as a microcosm of season 39. It was intermittently hilarious with an arguably unnecessary cameo appearance and a sense that these characters came back out of obligation rather than inspiration. It was SNL in a nutshell.
It’s not criticism to point out that Saturday Night Live is an inconsistent show. Some episodes are better than others, but few are uniformly perfect. Some sketches work, others don’t. Some cast members jell immediately, others take time, and still others never find their corner. Some recurring bits remain funny with repetition, others fall flat as they grow older. The appeal of Saturday Night Live is in the pursuit, not the attainment, of perfection. I watch each episode looking for the moments that I’ll remember in five to ten years, even while I’m fully aware that I’ll forget most of the show within a few weeks.