Listen to Episode 23 of The M&M Report here.
(Note: “Ty Meems” is “The M&M Report” Travoltified.)
This week on The M&M Report, Devin Mitchell and I sat down as soon as the Oscars to unwind with thoughts on Ellen DeGeneres, Lupita Nyong’o, Steve McQueen, Matthew McConaughey, Cate Blanchett, pizza, selfies and much more.
Thanks for listening!
Listen to Episode 22 of The M&M Report here.
This week on The M&M Report, Devin and I welcomed a very special guest: self-described “House of Cards enthusiast” Leah Doolittle. Leah and Devin kicked off the podcast with an in-depth discussion of the best and worst of season 2, from the twist in the premiere to the shockers later.
After Devin and Leah’s discussion, I offered my thoughts (okay, a rant) on the subject of pop-culture shaming in the first installment of Mark Occasionally Doesn’t Like Things. Why is it acceptable for people to tell me that I have to watch House of Cards just because they watch it and think it’s cool? It’s not.
Finally, Devin and I offered some brief thoughts on Jimmy Fallon‘s first week as host of The Tonight Show. So far, Jay hasn’t breathed a word in dissent, but there’s still time.
Next week, we’ll be doing something special. Instead of doing another preview of the Oscars and then talking about the show a week later, when you’ll have already forgotten about it, Devin and I will press “Record” immediately after the telecast ends on Sunday night, and you can listen to it by Monday morning. We’ll talk best and worst moments, biggest surprises and much more.
Until next time…thanks for listening!
Click through for the time breakdown.
Welcome to The M&M Report! This week, Devin and I broke down the Oscar nominees in the major categories, offering our thoughts on the nominees, as well as some alternatives who we would have enjoyed seeing on the list. We closed by listing our five favorite movies of 2013. (For further reading, check out my thoughts on the Oscar nominations.)
Devin and I are proud to announce that The M&M Report will be moving to TheEagleOnline.com beginning next week. We’re very excited to bring a podcast presence to our student newspaper, and we hope that you’ll join us in our transition. Our shows will be very much the same, though perhaps a little shorter – we know firsthand that college students have busy schedules. We’ll start the new era of The M&M Report with a discussion of one of our favorite shows, The West Wing. Plus, the triumphant return of Devin Doesn’t Like Things.
Until then…thanks for listening!
Click through for the time breakdown.
First, some obligatory awards season perspective: the Oscars don’t matter to you. You’re allowed to like a movie whether it was nominated for Best Picture or not. You are your own Oscars.
If that’s the case, why do we get so worked up about snubs and surprises and predictions and hopes and dreams? We want to see quality work recognized. The Academy Awards are one of the most common starting points for someone looking at the films of a particular year. If the awards don’t reflect the best movies, they’ll provide an inaccurate reflection of what we thought about film in 2013.
Nonetheless, complaining about the Oscar nominations is futile. It’s better to look at them as a starting point for discussions about the merits of movies. In that spirit, I’ve chosen four nominated-related things that made me happy this morning, and four that made me less than happy. Let’s use this list as a way of talking about movies, not awards.
(For more of my thoughts on the subject, stay tuned for this week’s episode of The M&M Report, in which Devin Mitchell and I will talk in depth about the year in movies.)
Technical glitches and Jacqueline Bisset-bombs aside, last night’s Golden Globe Awards telecast was a standard affair: drunken speechess, witty one-liners and confusing winners. Here’s a look at what five takeaways from last night’s show. (Read the full list of winners here.)
Some movies demand to be seen. Gravity demands to be experienced, in 3D, on the widest possible screen, surrounded by the most excitable people you can find. During its slim 88-minute running time, Gravity conjures the physical and emotional weight of space flight and zero-gravity navigation with more skill, grace and beauty than any movie I’ve ever seen. It’s also one of the few movies in which George Clooney’s star magnetism gets outshined, not only by his co-star, the luminous Sandra Bullock, but by the sheer force of the spectacle surrounding the two leads. Gravity takes stunning advantage of the scope that the big screen affords and the small screen lacks – anyone who says that television is better at everything than movies need only be reminded that no one does outsized spectacle like Hollywood.