For the Emmy nominations to “get it right” in 2017 — when there has never been more television shows or places to find them — they must reflect the landscape’s diverse options by rewarding shows that expand the boundaries of the medium or innovate within it.
With so much to choose from, it’s never been harder for the Emmy nominations to get it completely right. But it’s still not that hard for them to get it wrong. Case in point: Yesterday!
It’s safe to assume that Veep will be among the winners at tonight’s presentation of the 68th Primetime Emmy Awards. But who will join them? Below, my podcast partner Devin Mitchell and I offer our predictions, which range from bold to conservative, optimistic to resigned.
We’ll regroup on a new episode of The M&M Report later this week to discuss takeaways from the ceremony and the outcomes of our predictions. Subscribe to the podcast in advance!
(Note: Devin and I wrote these predictions separately and combined them into a single post. We differ a lot!)
Devin and I welcomed returning guest Erin Vail for a discussion of D.C. TV shows, prompted by the series premiere of BrainDead and the excellent fifth season of Veep, which wraps up on Sunday.
Don’t forget, you can now subscribe to our podcast on iTunes and download the feed directly into the podcast app of your choice. If you have the time, rate and review us on iTunes as well. We’d greatly appreciate your support.
This post took ten minutes to write. I went down this list of Emmy nominations, thought for a moment and then picked the nominee I could most easily imagine winning the award on tonight’s Andy Samberg-hosted telecast, which airs at 8pm on Fox. I didn’t double back and reconsider my choices, and I don’t apologize for any outlandish or unlikely picks. If I had to do it all over again, I might make different predictions. But I don’t, so I won’t.
See you back here tomorrow when we find out how well I did.
This week on the M&M Report, Devin and I welcomed returning guest Kevin Werner to discuss the fourth season of Veep, which ended its ten-episode run on HBO this past Sunday at 10:30.
We talked about the highs (Jonah and Richard, the cult of Tom James, the plight of Catherine Meyer) and the lows (fuzzy electoral math, overly dense finale plots) of this season, and we touched on our expectations for the next one, the first under replacement showrunner David Mandel.
The show’s creator Armando Iannucci is moving on from the show. He explained why in an interview with the Hollywood Reporter. Another piece worth your time: former senior adviser to the president Dan Pfeiffer argues on Grantland that Veep is America’s most realistic show about politics.
Last time Kevin joined us, we talked House of Cards (or rather, Kevin and Devin talked House of Cards while I frowned in the corner).
Presenting the second half of my mock ballot for tomorrow’s Emmy nominations. I’m looking forward to seeing the majority of my hopes crushed in favor of mediocre or unsurprising choices. But that’s the game Emmy fans play. Check out the first part of my ballot for my thoughts on the supporting categories.
The 68th annual Emmy nominations will be announced at 8:30am Eastern/5:30 Pacific this Thursday, July 10. As I did last year, I’ll be formulating my own ballots in this space in the days leading up to the big announcement.
A few caveats:
1. (Copied from my 2013 Call Me Emmy posts) I’m not paid to watch television. I can only watch what I have time to watch, so I can’t nominate undoubtedly high-quality shows like Game of Thrones, Scandal, The Good Wife, Masters of Sex, Shameless, Girls and Veep, just to name a few. In other cases, I can’t nominate a particular show because I haven’t seen the current season, as with Homeland, Downton Abbey and Modern Family.
2. Boiling down a remarkable season of television into just twenty-four commendable supporting performances is a fool’s errand. I’ve done my best to choose my favorites, but if you ask me tomorrow, I might choose slightly different groups. These awards, as much as they have weight in the industry, don’t dictate my tastes, and they should exist primarily to shine a spotlight on the best that television has to offer in a given year.