Some of the year’s most popular songs were also some of the best. Below, I’ve listed my ten favorite Top 40 songs of 2015. All of these songs appeared on the Billboard year-end Hot 100 for 2015.
That self-imposed rules means I can’t include what I consider the cream of this year’s pop crop: Carly Rae Jepsen’s “Boy Problems” and “I Didn’t Just Come Here to Dance” and “Run Away With Me” and “All That” and “Let’s Get Lost.” This woman had her 1989 moment this year and America paid no attention. Her manager Scooter Braun now admits something went wrong on his end. Too little, too late. It’s a crime.
Much has written about the rise of bro-country, a subsection of country music that consists almost entirely of young white men singing about trucks, beer, Friday nights and their beautiful, anonymous female love interests. Last December, Grady Smith posted an illuminating video tracing these cliches through the lyrics of last year’s popular hits. I’m zooming in a little closer to look at one particular cliche – the prominence of “the night” and other night-related vocabulary in the lyrics of recent country hits. A few caveats before we begin our journey into the night:
1. I’m not necessarily attacking any of these songs for being lazy. I’m pointing a trend into which these songs fit. The merits of each song is another matter entirely.
2. I’m not suggesting that this phenomenon is entirely new, or inherently a symptom of lazy writing. After all, the night is often a time of drama and excitement, and music thrives on drama and excitement. If you looked back at country hits from previous years, you might find a similar pattern. But this trend is worth noting nonetheless.
Without further ado, let the night begin.