The producers of this year’s Tony Awards faced a challenge akin to cooking a perfect souffle and then being asked to do it all over again, without several of the key ingredients, a year later. Host Hugh Jackman, despite his dazzling physical features, sizable vocal chops and endless charisma, was never going to top the achievements of last year’s emcee Neil Patrick Harris, who managed to follow what was perhaps the greatest awards show number of all time with two more numbers of nearly equal entertainment value. No one was going to top the majestic Cicely Tyson’s towering acceptance speech or Audra McDonald’s show-concluding mic drop. Why try?
This week in New York City, the four broadcast networks are unveiling their fall schedules, complete with renewals, cancellations and pickups. Though a volley of announcements earlier this week robbed the announcements of much of their suspense, and the very idea of a fixed schedule is irrelevant to a large percentage of the TV viewing public, these announcements remain interesting as the last vestiges of an outmoded business model.
ABC is up second. Click here for the network’s fall schedule with HitFix TV reporter Joe Adalian’s analysis. Notable points:
I’ve already complained about the clunky telecast for the 2014 Grammy nominations in my piece for The Eagle. Nonetheless, I have a few more thoughts (three, in fact) on the nominations in general.
First, to quote from my piece:
“Despite some oversights, the nominations reflected the wide, if scattered, range of excellent pop music in 2013. Rising country star Kacey Musgraves nabbed three well-deserved nominations including one for Best New Artist. The Grammys embraced the anti-establishment alternative hip-hop of Lorde and the irrepressible smooth of Daft Punk. Taylor Swift’s excellent album Red ended up in the Album of the Year category, suggesting that the Grammys have longer memories than they are given credit for.”
Read on for three more thoughts.