Ghostbusters is a movie directed by Paul Feig starring four of the funniest women alive. It’s a remake of a beloved 1984 comedy that’s attracted one of the most intensely sexist online controversies in recent memory. And…it’s pretty good! In this episode of The M&M Report, Devin and I talk about what worked and what didn’t.
Also: Devin is moving back to California. That means this podcast is the last one recorded in the same room with me for the foreseeable future. I’ll miss him, but I won’t miss the podcast, because it’s not going anywhere! We’ll still be recording regularly in the weeks and months to come. Stay tuned for more.
Don’t forget, you can now subscribe to our podcast on iTunes and download the feed directly into the podcast app of your choice. If you have the time, rate and review us on iTunes as well. We’d greatly appreciate your support.
The M&M Report is back! Devin Mitchell and I are continuing our pop culture podcast after a brief hiatus. Last time you heard us, we were broadcasting from The Eagle. Since then, I’ve graduated from American University, which means I’m no longer a staff member at the school’s student newspaper. Sad as that is, Devin and I are excited to bring the podcast into a new era.
This week, Devin and I talked about the excellent new Paul Feig comedy Spy (2:00-18:19) and offered some further reflections on the series finale of Mad Men (18:20-43:20), following our written reaction the day after the episode aired.
For more M&M Report action, click the category page on the left side of the blog or listen to previous episodes on The Eagle. (A more easily navigable M&M Report home page is forthcoming, so stay tuned.)
As with most people, the word “reboot” sets my teeth on edge. I’m always a proponent of discarding tired concepts and flagging franchises in favor of original material. But reboots aren’t inherently bad. Tuesday’s “Ghostbusters” announcement offers hope that at least one upcoming remake won’t be cringeworthy. Read the rest at The Eagle.
Even before I sat down to watch Bridesmaids, I felt like I’d already seen it. It’s a symptom of the saturated pop culture world in which we live. Not only had I seen the PG-13 clips of the infamous bridal shop scene repeated ad nauseam, but the 2011 film quickly came to stand for a standard of comedy that few movies since have been able to match. (Pitch Perfect might be the exception, but I wouldn’t know – haven’t seen that one either.)
Sitting down to watch Bridesmaids for the first time was an interesting experience. I spent the first thirty minutes anxiously awaiting the arrival of farts and burps, only to discover that that scene, while well-constructed, was far from the movie’s centerpiece, and not even its funniest attempt at body part-related humor (that would be Kristen Wiig and Maya Rudolph arguing about their “assholes”). Instead, that scene served as a preamble for what turned out to be a moving, surprising comedy that balanced elements of romance, drama and farce with remarkable ease. I finished the movie surprised to find that, in some ways, it had been underhyped. I expected the movie to crescendo during the few scenes that everyone talks about in casual conversation, but instead I was rewarded with a supremely entertaining and well-crafted story surrounding those few scenes.
With that in mind, here are five (okay, six) reasons Bridesmaids is far more than some bad chicken and gastrointestinal malfunctions.