It’s safe to assume that Veep will be among the winners at tonight’s presentation of the 68th Primetime Emmy Awards. But who will join them? Below, my podcast partner Devin Mitchell and I offer our predictions, which range from bold to conservative, optimistic to resigned.
We’ll regroup on a new episode of The M&M Report later this week to discuss takeaways from the ceremony and the outcomes of our predictions. Subscribe to the podcast in advance!
(Note: Devin and I wrote these predictions separately and combined them into a single post. We differ a lot!)
Here’s the latest installment of my new tradition: hastily assembled predictions for the winners of tonight’s Screen Actors Guild Awards, broadcast at 8pm on TNT and TBS, and streaming here. (These predictions don’t reflect my preferences, except when they do.)
This post took ten minutes to write. I went down this list of Emmy nominations, thought for a moment and then picked the nominee I could most easily imagine winning the award on tonight’s Andy Samberg-hosted telecast, which airs at 8pm on Fox. I didn’t double back and reconsider my choices, and I don’t apologize for any outlandish or unlikely picks. If I had to do it all over again, I might make different predictions. But I don’t, so I won’t.
See you back here tomorrow when we find out how well I did.
After an entire TV season of speculation, the 2014 Primetime Emmy nominations were finally announced at the ungodly hour of 5:30am Pacific Thursday morning. (Perks of being on the East coast: waking up was no big deal!) As usual, the nominations provoked a mixture of reactions: surprise, resignation, disapproval, even bitterness. As Alan Sepinwall put it in his pessimistic but reasoned analysis, the television business is evolving too quickly for the Emmys to keep up, especially given that the TV Academy has a history of being slow to adjust to major changes in the industry. With a higher volume and wider array of TV shows than ever before, some quality shows are always going to get left behind. But when the Emmys continue to make apologies for shows that they previously loved, it’s worth wondering how long these awards can stay relevant.
Below, here are five of my thoughts about the nominations list. For more on the list’s weirder surprises, here’s my USA Today article from Thursday. For my dream ballots, click here and here.
Saddled with the unreasonable task of attracting an audience in a toxic timeslot (Tuesdays at 9:30pm) with little promotion, ABC’s Trophy Wife was doomed to fail from a commercial standpoint. As of two weeks ago, it did – the network announced that it had cancelled the show after its first season of 22 episodes.
From a creative standpoint, the show seemed doomed to fail based on title alone. The idea that in 2014, a physically fit young woman who marries an older man could be described with a phrase as derogatory as “trophy wife” gave no one optimism that Trophy Wife would be a show worth championing. Yet the show quickly established that the title is an ironic commentary on the assumptions that people would make about Malin Akerman’s title character based on her appearance. Irony doesn’t always translate well into casual conversation, and indeed, when I tell people I like a show called Trophy Wife, I frequently get looks that would be more appropriate if I had just said that I willingly stepped in dog waste.
But enough about the title. Let’s talk about the show. It was a good one, and I’m going to miss it. I can imagine an alternate reality in which this show became a timeslot complement to ABC’s relatively highly-rated Modern Family and survived for four or five seasons of gleeful hijinks before retreating to a lifetime of syndication on cable. That would have been a far more appropriate fate for a show that married traditional sitcom standards with a modern perspective on family life as well as Modern Family at its very best. Not everything worked – some of Kate’s ongoing struggles to prove that she’s a worthy parent grew repetitive, Jackie’s antics often strained credulity, and Natalie Morales’ Meg usually seemed like an enjoyable character who belonged on a different show. But when it worked, and it frequently did, Trophy Wife showed far more promise than any other new comedy on the networks this season, save Fox’s Brooklyn Nine-Nine and Enlisted.