Devin and I have returned from a long hiatus with discussion of Set It Up (0:00-21:00), First Reformed (21:00-End), Pete Davidson + Ariana Grande, BDE and a largely silent but ever-present guest.
Here are predictions for this year’s Emmy awards from me and my podcast partner Devin Mitchell. They are official and binding, and we arrived at them separately. If you bet on our picks and come up short, you may sue us for all we are worth.
Win It All is the latest gripping drama from writer-director Joe Swanberg and writer-star Jake Johnson; you can stream it on Netflix now. It’s good.
Meanwhile, what does the recent explosion of content coming from streaming services mean for more traditional creators and distributors of pop culture? We don’t have all the answers, but we make a few guesses.
Each day this month (assuming I don’t get busy or bored!), I’ll reflect on a tiny sliver of pop culture that I enjoyed or appreciated this year — scenes, shots, gestures, verses, sights, sounds, moments. Today: the BoJack Horseman episode that stuck with me.
Most year-end lists that feature the remarkable Netflix series BoJack Horseman have focused on the third season’s dazzling fourth episode “Fish Out of Water,” which has virtually no dialogue as the title character takes an emotional roller coaster under the sea. A few mentions have also been afforded to “That’s Too Much, Man!” which depicts a bender gone horribly wrong between two self-destructive friends.
Both those episodes deserve the accolades they’ve been given. But equally astounding was “Best Thing That Ever Happened,” which comes five episodes after the former and two before the latter. (Incoming: sentence I never thought I’d write.) This episode is to BoJack Horseman what “The Suitcase” was to Mad Men, and the two hit with a familiar, devastating force.
Each day this month (assuming I don’t get busy or bored!), I’ll reflect on a tiny sliver of pop culture that I enjoyed or appreciated this year — scenes, shots, gestures, verses, sights, sounds, moments. Today: kids!
You never want to admit when a child actor isn’t quite cutting it. I wouldn’t want to be the director on a set with a kid who just can’t nail the take, or isn’t quite right for the role. It’s one thing to tell a full-grown adult that they missed the mark — most of them can take it. But a child? What kind of monster tells a child they’re just not good enough?
Luckily, this year, I don’t have to wrestle with that moral dilemma. There were so many great kids on TV this year! Here are a few.
PROGRAMMING NOTE: We’ve made a behind-the-scenes change. If you’re already subscribed to The M&M Report on iTunes or the podcast provider of your choice, you need to RE-SUBSCRIBE in order to receive new episodes in your feed. We know this extra step will be annoying, but we’re excited about what it means for the future of the podcast. Tell your friends!
On this episode, Devin and I pondered the perils and pleasures of Peak TV. We start by defining it with the help of comments from FX president John Landgraf, and then we examine how the phenomenon has affected our viewing habits, the creative forces that shape those habits and the business forces that have allowed Peak TV to flourish. This New York Magazine feature on the subject is worth reading, either as a precursor or a follow-up.