“Happy” Trails: Can’t Bring Me Down

Happy

It might seem crazy, what I’m ’bout to say: you might be hearing Pharrell’s “Happy” for a long time to come.

After ten weeks at number one, the buoyant “Despicable Me 2” theme song bowed out of the top spot on the Billboard Hot 100 to make room for John Legend’s “All of Me” on May 10th. Nonetheless, the song crossed over from “big hit” to “phenomenon” right around the beginning of March, when Pharrell performed the track on the Oscars, rousing the likes of Lupita Nyong’o and Meryl Streep from their seats and charming a global audience with the song’s infectious energy. It’s only grown in ubiquity since – tribute videos, a charming cover by Majesty Rose on American Idol, even the source of some teary-eyed musing on Oprah. (The song even played a role in an overseas issue of free speech, as a group of Iranian youths were arrested for posting a video of themselves dancing to the song last week.)

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“G I R L”: More Savvy Than Sublime

Pharrell

It’s been a year of Pharrell, and this week is particularly Pharrell-y. The number one song on the pop charts? “Happy,” by Pharrell. The best musical performance on the Oscars? “Happy,” by Pharrell feat. Lupita Nyong’o, Meryl Streep and Amy Adams. The most talked about hat? Pharrell’s Grammy hit, which just sold for $44,100 to Arby’s.

Oh, and Pharrell has a new album out this week. Is it any good? As I wrote in my review for The Eagle, it’s good enough. No one’s calling this a breakthrough for Pharrell, and for good reason. Some good songs, but nothing game-changing. It’s more The 20/20 Experience than FutureSex/LoveSounds, to put it in terms of Justin Timberlake, as the album’s throwback aesthetic does frequently.

No matter. “G I R L” will sell well, and it will keep Pharrell in the pop-culture conversation for at least a little while longer. Meanwhile, he’ll have to work a little to pursue that EGOT. Judging by his eternally fresh-faced complexion, he’s got plenty of time left.

Oscars 2014: Back Down to Earth

Ellen

I already spent 35 minutes pontificating about last night’s Oscars on a special instant-reaction edition of The M&M Report. Nonetheless, I’ve still got a few more thoughts on last night’s show to offer. How did Ellen succeed where so many other hosts have failed? Why did Idina Menzel stumble when we all expected her to soar? Why are the Oscars relevant to discussing movies? My answers to these questions and more below.

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Grammys 2014: A Review and Three Great Performances

Pharrell

In the immediate aftermath of this year’s Grammy Awards, I churned out a 750-word review for The Eagle. I don’t have much more to say – awards shows like this one are best enjoyed and debated as they happen and immediately afterward – but I want to spotlight three great performances that are worth checking out even if you didn’t see the entire show.

First, a snippet of my review: “Last night’s Grammys proved that some things do change. Robots can win Album of the Year. Thirty-three couples can get married in a hasty ceremony officiated by Queen Latifah. A 17-year-old New Zealander with curly hair and a sultry voice can win Song of the Year for a tune that critiques the very establishment that provided her with the award. The 2014 Grammy Awards were rarely boring, but they were often baffling.”

Read on for three catchup-worthy performances.

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6 Performances to Watch At the Grammy Awards This Weekend

Beyonce

The Grammy Awards are airing on CBS at 8pm this Sunday night. Music’s biggest awards show is often as confounding as it is exciting, but the megawatt lineup suggests noteworthy “moments” (the Grammys’ favorite word) are ahead. Here are six performances I’m anticipating.

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The M&M Report, Episode 17: The Year’s Best Movies

12 Years a Slave


 

Welcome to The M&M Report! This week, Devin and I broke down the Oscar nominees in the major categories, offering our thoughts on the nominees, as well as some alternatives who we would have enjoyed seeing on the list. We closed by listing our five favorite movies of 2013. (For further reading, check out my thoughts on the Oscar nominations.)

Devin and I are proud to announce that The M&M Report will be moving to TheEagleOnline.com beginning next week. We’re very excited to bring a podcast presence to our student newspaper, and we hope that you’ll join us in our transition. Our shows will be very much the same, though perhaps a little shorter – we know firsthand that college students have busy schedules. We’ll start the new era of The M&M Report with a discussion of one of our favorite shows, The West Wing. Plus, the triumphant return of Devin Doesn’t Like Things.

Until then…thanks for listening!

Click through for the time breakdown.

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2013 in Review: The Moments That Made Lame Awards Shows Worth Watching

Tina Fey and Amy Poehler

What’s the point of sitting through countless awards show every year if not to celebrate the few moments on those shows that actually justify our investment? As much as I like to complain that most awards shows are poorly structured, improperly paced and ineptly directed, I watch too many of them to argue that they shouldn’t exist at all. I watch them because I’m hoping to see something that will make the time go by more quickly, be it a spontaneous reaction or an exceptional performance. In chronological order, here are five moments from this year’s awards shows that had that effect.

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