If Orange is the New Black were primarily plot-driven, the second season finale “We Have Manners, We’re Polite” might have been unsatisfying. Instead of culminating in a massive prison-spanning battle or a bloody showdown between Kate and Vee, the season ends with an unexpectedly macabre and darkly funny exclamation point, as the ailing Rosa (Barbara Rosenblat) takes out the villainous Vee (Lorraine Toussaint) with her car on her way towards a few final weeks of freedom. After an entire season of swirling contraband and shifting loyalties, the season’s principal villain is dispatched in a matter of seconds, learning none of the lessons she probably ought to have learned before she passed on.
But Orange is the New Black is not primarily a plot-driven show. It’s well established that Orange is the New Black has one of the most diverse casts of any “television show” ever. There’s no use making like a broken record and praising the show yet again for opening a space filled by a diverse array of voices and perspectives. The show’s true genius, and the key to its success, is the way in which it takes full advantage of its diverse cast to tell stories about complicated people who have made irredeemable mistakes and yet still retain shreds of humanity.