“G I R L”: More Savvy Than Sublime

Pharrell

It’s been a year of Pharrell, and this week is particularly Pharrell-y. The number one song on the pop charts? “Happy,” by Pharrell. The best musical performance on the Oscars? “Happy,” by Pharrell feat. Lupita Nyong’o, Meryl Streep and Amy Adams. The most talked about hat? Pharrell’s Grammy hit, which just sold for $44,100 to Arby’s.

Oh, and Pharrell has a new album out this week. Is it any good? As I wrote in my review for The Eagle, it’s good enough. No one’s calling this a breakthrough for Pharrell, and for good reason. Some good songs, but nothing game-changing. It’s more The 20/20 Experience than FutureSex/LoveSounds, to put it in terms of Justin Timberlake, as the album’s throwback aesthetic does frequently.

No matter. “G I R L” will sell well, and it will keep Pharrell in the pop-culture conversation for at least a little while longer. Meanwhile, he’ll have to work a little to pursue that EGOT. Judging by his eternally fresh-faced complexion, he’s got plenty of time left.

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2013 in Review: The Moments That Made Lame Awards Shows Worth Watching

Tina Fey and Amy Poehler

What’s the point of sitting through countless awards show every year if not to celebrate the few moments on those shows that actually justify our investment? As much as I like to complain that most awards shows are poorly structured, improperly paced and ineptly directed, I watch too many of them to argue that they shouldn’t exist at all. I watch them because I’m hoping to see something that will make the time go by more quickly, be it a spontaneous reaction or an exceptional performance. In chronological order, here are five moments from this year’s awards shows that had that effect.

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