The Billboard Hot 100 in 2017 was filled with mainstream and underground hip-hop, emergent Latin pop that straddles language, and sadness. I’ve been listening.
Just like last year, I took valuable time out of my life to rank every song on the year-end Billboard Hot 100 in order of my preference. There is nothing definitive or objective on this list, and I often felt no need to explain my choices. Some things speak for themselves.
I disqualified the following songs because I hadn’t heard them enough to make a “fair” “judgment”: Ayo & Teo’s “Rolex”; YFN Lucci’s “Everyday We Lit”; Blackbear’s “Do Re Mi”; and XXXTentacion’s “Look At Me!”
I disqualified the following songs because I associated them more with 2016, or because they appeared on my ranking last year: The Chainsmokers’ “Closer” feat. Halsey; The Weeknd’s “Starboy” and “I Feel It Coming,” both feat. Daft Punk; Ariana Grande’s “Side to Side” feat. Nicki Minaj; DJ Snake feat. Justin Bieber’s “Let Me Love You”; D.R.A.M.’s “Broccoli” feat. Lil Yachty; Hailee Steinfeld & Zedd’s “Starving” feat. Grey; Shawn Mendes’s “Treat You Better”; Justin Timberlake’s “Can’t Stop the Feeling!”; Twenty One Pilots’ “Heathens”; and Rae Sremmurd’s “Black Beatles” feat. Gucci Mane.
Without further ado…
I took valuable time out of my life to rank every song on the 2016 year-end Billboard Hot 100 in order of my preference. There is nothing definitive or objective on this list, and I often felt no need to explain my choices. Some things speak for themselves.
I hadn’t heard “Never Be Like You” by Flume feat. Kai, “Antidote” by Travis Scott, “Wicked” by Future and “Middle” by DJ Snake feat. Bipolar Sunshine enough to consider them for this list. I don’t feel too bad about it.
I disqualified the following songs because I associated them more with 2015: “Sorry” by Justin Bieber; “Hotline Bling” by Drake; “The Hills” by The Weeknd; “Jumpman” by Drake & Future; “679” by Fetty Wap feat. Remy Boyz; “Here” by Alessia Cara; “What Do You Mean?” by Justin Bieber; “Same Old Love” by Selena Gomez; “Can’t Feel My Face” by The Weeknd; “Wildest Dreams” by Taylor Swift; “Lean On” by Major Lazer & DJ Snake feat. MO; “Watch Me (Whip/Nae Nae)” by Silento; “See You Again” by Wiz Khalifa and “Perfect” by One Direction.
Without further ado:
Each day this month (assuming I don’t get busy or bored!), I’ll reflect on a tiny sliver of pop culture that I enjoyed or appreciated this year — scenes, shots, gestures, verses, sights, sounds, moments. Today: complimenting Bruno Mars in a way that sounds like an insult.
Something unexpected happens at the 32-minute mark on Bruno Mars’ album 24K Magic. I sat back in my chair.
The album ends.
It’s over. That’s it! Nine songs, each less than five minutes long. No skits, no tangents, no filler. Four years between albums, and here’s what Bruno Mars has to show for it: nine songs, all stellar.
Each day this month (assuming I don’t get busy or bored!), I’ll reflect on a tiny sliver of pop culture that I enjoyed or appreciated this year — scenes, shots, gestures, verses, sights, sounds, moments. Today: three of the year’s most influential artists who stayed silent at just the right moments.
Three of the biggest stars on the planet — Rihanna, Kanye West and Beyonce — released three of the most popular and acclaimed albums of 2016 in the first few months of the year. At least one of them is virtually certain to earn a Grammy nomination for Album of the Year tomorrow. In all three cases, only a few weeks’ notice and a few confusing bits of teaser information preceded the unveiling of these sprawling works of art, which spanned musicals genres and technological platforms.
The surprise nature of pop stars’ latest artistic statements no longer carries the electric charge of spontaneity that accompanied the release of 2013’s Beyonce. We’ve come to expect the unexpected. What’s more notable, to me, is how little we’ve heard from the artists behind these works about their approach to creating them. Beyonce has granted a grand total of zero interviews about their creative processes this year — no magazine spreads, no newspaper features, no television spotlights. Silence. West, meanwhile, afforded a few minutes of his time to a phone call with Vanity Fair’s Dirk Standen, during which he exclusively discussed the intent behind his lightning-rod music video for “Famous.” And Rihanna talked to Vogue for its April cover, saying a fair amount while revealing almost nothing of substance.
Some of the year’s most popular songs were also some of the best. Below, I’ve listed my ten favorite Top 40 songs of 2015. All of these songs appeared on the Billboard year-end Hot 100 for 2015.
That self-imposed rules means I can’t include what I consider the cream of this year’s pop crop: Carly Rae Jepsen’s “Boy Problems” and “I Didn’t Just Come Here to Dance” and “Run Away With Me” and “All That” and “Let’s Get Lost.” This woman had her 1989 moment this year and America paid no attention. Her manager Scooter Braun now admits something went wrong on his end. Too little, too late. It’s a crime.
Even though I live-blogged the entire three-hour behemoth last night, I have lots to say about the 2013 American Music Awards. The live-blog format is necessarily limiting, and I’ve revised or expanded many of my opinions since the show aired. With that in mind, here are three big takeaways from this awards show (one of the silliest around, don’t forget.)