Ghostbusters is a movie directed by Paul Feig starring four of the funniest women alive. It’s a remake of a beloved 1984 comedy that’s attracted one of the most intensely sexist online controversies in recent memory. And…it’s pretty good! In this episode of The M&M Report, Devin and I talk about what worked and what didn’t.
Also: Devin is moving back to California. That means this podcast is the last one recorded in the same room with me for the foreseeable future. I’ll miss him, but I won’t miss the podcast, because it’s not going anywhere! We’ll still be recording regularly in the weeks and months to come. Stay tuned for more.
Don’t forget, you can now subscribe to our podcast on iTunes and download the feed directly into the podcast app of your choice. If you have the time, rate and review us on iTunes as well. We’d greatly appreciate your support.
The M&M Report is back! Devin Mitchell and I are continuing our pop culture podcast after a brief hiatus. Last time you heard us, we were broadcasting from The Eagle. Since then, I’ve graduated from American University, which means I’m no longer a staff member at the school’s student newspaper. Sad as that is, Devin and I are excited to bring the podcast into a new era.
This week, Devin and I talked about the excellent new Paul Feig comedy Spy (2:00-18:19) and offered some further reflections on the series finale of Mad Men (18:20-43:20), following our written reaction the day after the episode aired.
For more M&M Report action, click the category page on the left side of the blog or listen to previous episodes on The Eagle. (A more easily navigable M&M Report home page is forthcoming, so stay tuned.)
Julia Louis-Dreyfus has been superb on Veep this season. The same goes for T.J. Miller on Silicon Valley, Louis C.K. on Louie, Abbi Jacobson & Ilana Glazer on Broad City and Andre Braugher on Brooklyn Nine-Nine. This isn’t news. It’s worth remarking upon the fact that all of these actors are great and explicating the reasons why. But in the rush to praise the stars of these shows, it’s possible to do a disservice to the cast members with lower billing. Looking at the lower portions of the rosters and finding the gems separates the outstanding ensemble comedies from the ones that rest on the charms of their lead performer. Below, I’ve picked one cast member from each of the five comedies mentioned above who gives that show a subtle but welcome dose of comedy in an unexpected or underappreciated way. Continue reading →