Having finally recovered from last year’s Best Picture snafu, Devin and I are back with our best guesses for this year’s Oscar winners. Here are our respective ballots, compiled separately.
(Devin and I discussed several of this year’s nominated films on our podcast. Do us a favor and check out our thoughts on Get Out; Baby Driver and Dunkirk; Three Billboards Outside Ebbing, Missouri; Lady Bird; Molly’s Game and Call Me By Your Name; and Star Wars: The Last Jedi and The Post. Subscribe to The M&M Report on iTunes and Spotify, and check your feeds Monday morning for our fifth annual post-Oscars recap, to be recorded just minutes after the telecast ends.)
West Coast correspondent Erin Vail returns to nerd out with me and Devin over Star Wars: The Last Jedi (0:00-23:20). Then they poke gentle fun at The Post for being, well, not unsubtle (23:20-38:50). Before she leaves, Erin drops a few pop culture recommendations of her own (38:50-end).
For more Erin content, check out her podcast, writing for The Prompt and consistently delightful Twitter feed.
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Carly Rae Jepsen isn’t Taylor Swift. She seems perfectly fine with that. And so am I.
In fact, it’s probably better for everyone that her success, and her goals, are more modest. Jepsen probably couldn’t command a stadium or flaunt a Rolodex of famous pals with Swift’s conviction. And she definitely can’t sell albums or singles at a fraction of Swift’s impressive rate.
But she can sing, she can shimmy and last night at the Fillmore in Silver Spring, Maryland, she shined.
On this episode of The M&M Report, Devin Mitchell and I discussed Steven Spielberg’s first spy thriller Bridge of Spies with special guest Matt Dewilde. Disputes ensued!
Peruse the M&M Report category page for previous episodes of the podcast. Thanks for listening!
First, some obligatory awards season perspective: the Oscars don’t matter to you. You’re allowed to like a movie whether it was nominated for Best Picture or not. You are your own Oscars.
If that’s the case, why do we get so worked up about snubs and surprises and predictions and hopes and dreams? We want to see quality work recognized. The Academy Awards are one of the most common starting points for someone looking at the films of a particular year. If the awards don’t reflect the best movies, they’ll provide an inaccurate reflection of what we thought about film in 2013.
Nonetheless, complaining about the Oscar nominations is futile. It’s better to look at them as a starting point for discussions about the merits of movies. In that spirit, I’ve chosen four nominated-related things that made me happy this morning, and four that made me less than happy. Let’s use this list as a way of talking about movies, not awards.
(For more of my thoughts on the subject, stay tuned for this week’s episode of The M&M Report, in which Devin Mitchell and I will talk in depth about the year in movies.)
Saving Mr. Banks, written by Kelly Marcel and Sue Smith and directed by John Lee Hancock (The Blind Side), tells the story of P.L. Travers, the author of the beloved Mary Poppins children’s novels, who clashed with the production staff at Disney over every aspect of the company’s adaptation of her novel for the big screen. Before we get to my “three more thoughts,” here’s my review for The Eagle:
“Saving Mr. Banks is a testament to the cathartic power of artistic expression. It’s also an appealing showcase for a wide array of talented actors and an opportunity for Disney to pay tribute to its rich and complex history. Though it occasionally lapses into rote sentimentality and overdoses on manipulative melodrama, the film packs a punch with its nuanced depiction of a story that most people are only glancingly familiar with.”
Read the rest of my review for The Eagle here, then keep scrolling for three more thoughts.
What’s going on at the movies? Somali pirates, slave owners, folk singers, Wall Street tycoons and much more. Devin Mitchell and I stepped away from the small screen to go bigger this week. (Click the link to hear this week’s episode.)
First, we saw Captain Phillips together and talked about this movie’s uncompromising thrills and powerful performances. (Spoiler alert: we talk in detail about plot points and the ending in particular. Of course, the movie is based on real events, so nothing is really a spoiler, but if you prefer to know nothing going in, skip this segment.)
After that, I told Devin that he probably shouldn’t see The Fifth Estate, which comes out next Friday.
We closed with a Fall Movie Preview, in which we talked about upcoming movies, got really excited about great actors and found out that Devin doesn’t like fantasy and Mark doesn’t like excessive Oscar hype.
Enjoy the podcast!
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