Devin loved La La Land. I…liked it, with some reservations. We talked it out on the latest M&M Report.
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All too often, film criticism falls victim to what I call the “Oscar Eyes” phenomenon, prioritizing showy performances and actors who make noticeable physical commitments to their characters over work that’s subtle but no less critical to a movie’s effectiveness. Below, here’s my attempt to look beyond the performances likely to be up for awards. These performances are on the margins of Oscar consideration for several reasons: either they’re in movies that rarely attract awards attention, or they’ve been overshadowed by performances with more obvious “award-bait” moments. They’re worthy of recognition nonetheless.
Movies don’t come out in a vacuum. Three of this fall’s most talked-about movies follow men as they struggle to balance professional success and occupational fulfillment with personal relationships and emotional connections. In all three stories, the main characters fall victim to the grim realities of the businesses in which they embed themselves. Nightcrawler, Birdman and Whiplash will likely be among this year’s crop of Oscar nominees. Below, my thoughts on these movies and the effect of thinking about them in tandem.
The world gives us lots to be cynical about every day. But today’s Thanksgiving, so I want to take a brief pause from frustration, indifference and indignation to marvel at the treasures on our massive pop culture landscape. Here’s a look at some of the pop culture (and pop culture criticism) that I’m thankful for right now: